“That critical moment we both knew would come someday – here it is…” After the jet-black social satire of Dogtooth, the role-playing bereavement of Alps and the quasi-sci-fi tragicomedy of The Lobster, Greek director Yorgos Lanthimos sets his sights on something altogether more unsettling. Segueing seamlessly from the theatre of absurdity to cruelty, he presents a tale of mythical, methodical...
The Killing of a Sacred Deer review – uneasy about a boy
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