There’s a scene near the beginning of Boogie Nights (1997), Paul Thomas Anderson’s nostalgic portrait of the 1970s LA porn industry, in which director Jack Horner (Burt Reynolds) sits in a diner across from wannabe star Eddie (Mark Wahlberg) and outlines his vision for a new kind of dirty movie: It’s my idea to make a film that the story just sucks them in… [so] they can’t...