Given that the music business has spent most of the last two years in a kind of suspended animation, there’s something quite startling about the rise of Leeds quartet Yard Act. They appeared to come out of nowhere – they released their first single, the attention-grabbing Fixer Upper, at the height of the first national lockdown – and swiftly rocket to the forefront of the strain of alt-rock that...
Yard Act: The Overload review – witty post-punks confront post-Brexit Britain
Y